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Susie Wild is a poet, writer, journalist, critic, lecturer, festival organiser and editor with 25 years of editorial experience. She is the author of poetry collections 'Windfalls' (2021) and 'Better Houses' (2017). Her debut short story collection 'The Art of Contraception' was longlisted for the Edge Hill Short Story Prize 2011. Her ebook novella 'Arrivals' was released in 2011. She edited the illustrated short story anthology 'Rarebit' for Parthian's 21st birthday. (All available via Parthian Books). She lives by a mountain in South Wales @Soozerama

Tuesday, 20 December 2011

Lorrie Moore on Short Stories vs. Novels

'Well, it is possible to believe that the busier and more disorganized a writer’s life, the easier it is to write a novel as opposed to a short story. To write a short story, you have to be able to stay up all night. To read it all in one sitting and at some point see the whole thing through in a rush is part of the process. There’s urgency and wholeness in stories. Not necessarily in novels, which may proceed at a more leisurely or erratic pace. A novelist—like the reader of novels—can check in and out of the novel at short intervals. One can write it in pieces, just as it can be read in pieces. A novel’s often a big, sprawling, shapeless thing—even when it’s short. A story is different. One gives birth to a short story—to haul out those tired procreative metaphors. But with a novel, you raise the child—to continue ridiculously in the same metaphorical realm. Like many novelists, I can now work by putting in a couple hours every morning; but short stories require those twelve-hour stretches.' 

'Of course writing is hard work—or a very privileged kind of hard work. A novel is a daily labor over a period of years. A novel is a job. (Story writers working on a novel are typically in pain through the entire thing.) But a story can be like a mad, lovely visitor, with whom you spend a rather exciting weekend.'

http://www.theparisreview.org/interviews/510/the-art-of-fiction-no-167-lorrie-moore

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